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ARTICLE ON SIMON
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Amidst
the ever-increasing chaotic furore of Western urbanisation and expansion,
many western peoples are turning to the solace which the universe of ambient
music seems to offer. This hunger for some kind of serenity exists in
a world which churns out cities, an endless tirade of televisual images
and the desperately pumped-up poundings of contemporary rock, pop and
techno music. Much ambient music embraces elements of this society of
technology; notably the electronic wizardry of the computerised synthesizer.
Complement this with the soothing sounds of nature's rhythms, which are
often drowned out by our own anxieties and stress, and the result is Simon
Lewis. |
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Southern
Water and Southern Dreaming, two ambient CDs by Simon Lewis, are derived
from a 25 year-old passion for the magnificent stretch of Victorian coast
which bends and winds between Queenscliff and Port Campbell. The different
soundtracks of the two productions are the young composer's reflections
on the area where he has spent most of his life; the life where at a very
early age he learnt to play the piano and to surf. The pieces are celebrations
of the spiritual tranquility inspired by an environment which can be dangerously
sublime one minute, and serene and rejuvenating the next. This is an essence
of the Victorian coastal environment; an essence which is acknowledged
by Simon's music. Whilst the music of Southern Water and Southern Dreaming
map out coastal regions like Point Lonsdale, Barwon Heads, the Otways,
and Port Campbell, there is at the same time a spiritual mapping in process
in which the composer constructs worlds which pour from his own creative
insights. by
Moniqe Orrock |
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